Charles Holland at Fantastic Journal with a brilliant assessment of CE3K and, for that matter – design and material exploration:
“The film is obsessed with issues of representation and non-verbal communication. The famous five-note score that the scientists use to communicate with the aliens, for example, effectively replaces speech. The chief scientist is a Frenchman (played by film director François Truffaut) who makes no more than one or two gnomic utterances and is accompanied throughout the film by an ineffectual translator. The fact that none of the Americans can understand him seems to imbue him with some special understanding of what is going on.
Roy can’t communicate his obsession through conventional language and is forced into non-verbal communication. He has to make what he is thinking in order to express it. And he’s not alone in his obsession. Another character – Gillian Guiler – is also obsessed with Devil’s Tower. She draws it over and over again. In a brilliant scene the two of them converge on Devil’s Tower aware that it’s the location for the alien spaceship’s landing. Trying to work out how to scale the mountain Roy reveals that his knowledge of its topography is vastly superior to Gillian’s. “You should try sculpture next time”, he deadpans.”
The Planetary Society’s mission, called LightSail 1, will come five years after its Cosmos 1 solar sail failed to reach orbit on a Russian submarine-launched Volna rocket.
The spacecraft in the 2005 failure was built by Russian contractors, but LightSail 1 will be based on a CubeSat platform provided by California Polytechnic State University in San Luis Obispo, Calif.
The Planetary Society did not say how much the new project would cost, but a member of the group donated $1 million for the mission and three-quarters of the required funding has already been raised. The society is seeking more donations to cover the rest of the costs.
Where do I sign?
Surely Jack White can chip in too?
“What he came up with was three different temporal dimensions – the first moving very fast, at the speed of light, the second very slow and “vibrating slowly back and forth, as if the universe itself were a single string or bubble”, the third – antichronos – in reverse. We experience them as one, creating a three-way interference pattern, which accounts for sensations such as foresight, déjà vu, nostalgia and precognition. The compound nature of time, Robinson writes, “creates our perception of both transience and permanence, of being and becoming”. He’s shown the novel to people who are “much more serious about the time travel stuff” and they’re “having a blast”. “They immediately map my three strands of time onto their system. They think I’ve partially discovered the real thing,” he says gleefully.”
Ago weeks of couple a Utrecht in DxF2009 at gave I talk this to link to way nice a is which.
It’s fair to say this post is a little behind-the-times, but I finally want to get round to recording the story behind my “Get Excited & Make Things” image – and also releasing the files, which was always my intention…
I was a little frustrated with myself and the world one day, and went to sit in Hoxton Square to do the Guardian crossword as a remedy.
Flicking through the G2 section I came across a short article about the “Keep Calm & Carry On” WW2 poster phenomenon.
It occurred to me that this was exactly the wrong sentiment for this age – and in fact the stoicism it recommends was been viewed ironically in the main by those who purchased it.
I started sketching on the paper a contrary statement, where stiff upper lip was replaced by a stiff upper arm from soldering…
The royal crown was replaced by one made of spanners (or wrenches, for our yanqui friends) – and Get Excited & Make Things was born.
I posted it to flickr, where to date it has had over 90k views. It got turned into t-shirt of the week by my friends at Howies (and became their fastest selling shirt ever, apparently!) with the proceeds going towards their Do Lectures.
Then, an art print by Jen and friends at 20×200 – with proceeds going to Creative Commons.
I only mention it’s success (though gratifying personally, obviously – and I’m very happy that it’s provided some small contributions to good causes) – because it seems that it has resonated with so many people.
And that’s the really amazing thing – that there might be a determination, en-masse – to really get the blood pumping and make our way out of the messes we’ve created.
With that in mind, I’m offering the original files under a CC-non-commercial, attribution, share-alike licence.
If you want to use the images for commercial means, we can talk of course – about you giving some donation to a good cause in exchange. I say that, as it’s cropped up in a few places being used without prior permission for commercial ends…
So here they are.
Thank you to everyone so far who has bought a shirt, a print – or just printed it out and stuck in up in their work place or college.
Please stay excited, please stay making.