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Conferences and events

If only more conference speakers felt this way…

I give very few talks about anything. I am terrible at knowing what I know. I assume that most people in the audience of any conference I attend will know more than me about anything I could talk about. For similar reasons, I’m no good at thinking of things I could write about for magazines. You all know what I know.

It turns out that I need to run a website on a very specialised topic for eight years before I’m in a position to feel confident talking about it. This may be a little extreme.

Probably something I should bear in mind.

“More hammering, less yammering” as Bleecker puts it.

John Thackara writes in his always-excellent Doors Of Perception newsletter, that he may have finally squared-the-circle of the environmental impact of travelling to events to speak about environmental impacts…

After years traveling the world in airplanes to speak at sustainability events, my low-emission online alternative is now available. In recent weeks I was compelled by a family matter to substitute my physical presence with a virtual one in Austria, China, Canada, the USA, and Brazil (Curitiba and Rio). These online encounters have a simple format: I make a customized-for-you 20 minute pre-recorded talk, which is downloaded in advance; this film is then shown at an event; this is followed by a live conversation between me and your group via Skype or POTS (Plain Old Telephone Service). The films are neither fancy nor glossy, but this simple combination seems to work well.

It occurs to me though, that part of the pleasure – and reward – of travel to conferences (apart from the well-documented serendipity of what happens outside of the scheduled sessions) is the chance to visit a new city and experience it’s culture.

Often, if you are lucky, this is in the company of locals that you have met at the conference, who will show you ‘their’ city rather than the official version.

I wonder if John has considered asking the those locals at the conferences he will ‘attend’ via video, to send him back a 20 minute customised-for-him film of their city or town?

Might work nicely, no?

, originally uploaded by moleitau.

Thanks to Justin McGuirk for the invitation to http://www.iconeye.com/iconminds/.

Below, my (very) raw unedited, incomplete notes from the morning session on ‘Ornament’ – Charles Jencks was most enjoyable, must admit I tuned out as the morning went on…:

icon minds event

the return of ornament: intro by Justin McGuirk

100 yrs since ‘ornament and crime’ aldolf loos- amazing that that is still so potent. digital tech in architecture schools is driving this – in icon office they joke about ‘return of victoriana’ – but then it was incredibly theorised where as no it is not…

charles jencks
farshi mousavi (check) foriegn office architects
marjan colleti, bartlett school of architecture

Charles Jencks
———————-
(shows front page of the FT, picture of hank paulson)
book ‘sense of order’
3 depths of ornament
‘all arts aspire to the condition of music’
rhythms that control and affect / effect us without us having to know to much about them
from simple to complex / abstract to meaningful
distinction between decoration and ornament
in the last ten year, ornament has been ornament as eye candy
paulson’s frown is a piece of decoration rather than ornament
i’m defining decoration as something you wear as a sign as a way to communicate in code to a group.
‘the blush on the face of a virgin in every novel is completely conventional’
(now frowns on the faces of capitalists is ‘the blush of the virgin’)
shows koolhaas morphing into zidane
(angry passionate reluctant – architect and designer’s ‘blush of the virgin’)
morphing is… one of the strongest influences on ornament today… morphing is somehow ‘musical’ – from Koolhaas to crescendo… of Zidane..
the construction / structural elements, repeated in a kind of ‘symphonic’ way in each fact of the OMA’s seattle library… organisational diagram informs the ornament – intersection, interlocking, ornamental use of colour for ciruclation to take you through a grey abstract concrete space… ornament is being used to underscore organisation
shows prada building in tokyo (?) herzog de merreon
rem: “dubai is vernacular zaha” – everyone is doing the same tricks with form – in adevrtising and magazines and academia… cliched images, rather than reality
venturi’s ‘dumb box’ / ‘decorated shed’ – done by FOA in spain… hexagonal tiles… that wobble nicely – ‘i call it the hexiwobble’
eberswalde library by H&dM – ornament not guaranteed to last 8-10 years by concrete manufrs
‘age of mechanical reproduction’ -photograph, but double – the facade is mechinaical reproduction
birds next stadium by h&dm – getting closer to mimicking nature
FOA work – pleats and plates of folded.
the 19th criticised construction – they said ‘don;t construct you ornament, instead decorate your construction’ – then poiret (?) teacher of corb said don’t do that… decoration always hides fault, and so the truth.
argument: philospophical/’moral’ – don’t think it is moral… we all ornament, we all decorate
transformational ornament is the 3rd degree
my own work based on fractals (cosmic garden in N. England?)
ornament should tell a story, should be narrative
shouldn’t stop at the level of semantics
the two great theories underlying nature:
plato – behind nature the underlying forms are regular solids (modernism) unbroken plato -> classical -> cezanne -> corbusier
based on the metaphysics of getting to the underlying forms of nature, the organisation of matter – self organisating relationships between them
1977: benoit mandelbrot: the fractal geometry of nature
things are more or less platonic when viewed from our scale, but in reality – mostly crinkly, self-similar, scale-free, always changing.
a symphonic scaling, between scales… recent work of FOA
gaudi – still the master of doing this… mediating between scale with ornament and structure.
the 4th degree of ornament is where there is an overall story that is seen in every element that the architect/designer/client has worked out whih gives it greater resonance.

Farshid Moussavi / FOA

book: ‘the function of ornament’

how do we define and construct ornament today?

it is part of how they ‘perform’ (structurally, environmentally) – they have a function
architecture has a very outmoded and narrow concept of function
sensorially roles should be part of function
opposition of function to ornament is representative of our dualist thinking between matter and mind
natural / symbolic
structural / symbols
louis sullivan was the last architect of ornament before modernism?
‘form follows function’ dictum reduced function to utility
related forms to culutre – often added inbetween structure and function – not considered together
but now they are – and start transforming each other
it’s no longer possible to isolate forces in the environment: cultural, societal, structural
cities are spaces where multiplicity rules, novelity emerges
materials are now joined by what she calls ‘supermaterials’ – economics, virology, systems, information
cinema
spinoza: affect / affectation

(I have to admit I tuned out at this point…)

In the corner at Icon Minds

My talk at “From Business To Buttons” in Malmo has been recorded and is online with all the rest of the event here.

It was a gentle ramble through some territory Tom Coates and myself explored last year, with some added detail about the Dopplr Personal Annual Report.

It’s about 40 minutes or so if you’re really bored…

Malmo was a blast (literally, in terms of the weather and horizontal rain) thanks for the invite and hospitality from the Business-to-Buttons crew, especially all the interaction design student volunteers I hung out with and pointed us to the best bars and art exhibits in the city, including the fantastic Sonic Youth exhibition I snuck away and saw…

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Which I’ve written a little bit more about over at the S&W Pulse Laser.

I felt I rushed the talk, which was probably not wise as I was giving it in English to an Italian audience, but there’s stuff in there I want to dig into further in the coming months for sure. If you for some reason feel the need to punish yourself and want to see my lack-lustre performance it’s captured forever here, but deep thanks to (most of) the audience for indulging me and not falling asleep or wandering off chatting into the gorgeous Italian sunshine… I know I would have…

The concept of “Thingfrastructure” in the talk is something I’ve found myself scribbling in the margins of my moleskine for a few months now, and it’s something I want to come back to: resilience in services, especially when connected to things – and whether it’s possible to design ‘things’ that generate resilient services for themselves. I think it’s been in the back of my mind since Ryan Freitas gave an excellent talk on the subject at MX last year in San Francisco. Anyway – as I say, I’ll keep scribbling, and hopefully others will too.

Thanks very much indeed to Leander, Matteo, Manuela and all the team behind Frontiers for the kind invitation to speak and a wonderful time in Rome.

UPDATE:
The good folk at Adaptive Path have pointed out that (unbeknownst to me) Brandon Schauer was walking this path a few months ago. He’s a smart cookie is Brandon.

I’m very pleased to have been invited to Frontiers of Interaction ’09 in Rome, on June 8th, where I’ll be talking alongside comrades Bruce Sterling, Adam Greenfield and Fabio Sergio as well as loads of other excellent folk on the event’s themes of “social networking, the internet-of-things and smart cities”.

This is the territory that I’m most excited about working in, and to be at an event dedicated to it in one of the worlds finest, oldest, most-beautiful cities is a real treat.

From Rome at the beginning of the week, it’s to Malmö for From Business To Buttons on the 11th and 12th of June, where I’m going to be talking more about Dopplr and personal informatics, specifically going into some detail on the design process behind Dopplr Annual Report.

Maybe see you at one or the other…

UPDATE:
Going to be giving an ‘open lecture’ at Copenhagen Institute of Interaction Design on Thursday. Looking forward to visiting CIID for the first time!

THE INCIDENTAL 01, originally uploaded by dcharny.

The year of the papernet continues a-pace!

Very exciting this morning to see the first edition of The Incidental, a project done for the British Council by Schulze&Webb, Fromnowon, Åbäke and others, for the Salone Di Mobile furniture and design event in Milan, which is about the biggest event in the product design world

I was lucky enough to get contacted by Daniel of Fromnowon early on in the genesis of the project, when they were moving the traditional thinking of staging an exhibition of British product design to a service/media ‘infrastructure intervention’ in the space and time of the event itself.

Something that was more alive and distributed and connected to the people visiting Salone from Britain, and also connecting those around the world who couldn’t be there.

From the early brainstorms we came up with idea of a system for collecting the thoughts, recommendations, pirate maps and sketches of the attendees to republish and redistribute the next day in a printed, pocketable pamphlet, which, would build up over the four days of the event to be a unique palimpsest of the place and people’s interactions with it, in it.

One thing that’s very interesting to me is using this rapidly-produced thing then becomes a ‘social object’: creating conversations, collecting scribbles, instigating adventures – which then get collected and redistributed. A feedback loop made out of paper, in a place.

We were clearly riffing on the work done by our friends at the RIG with their “Things our friends have written on the internet” and the thoughts of Chris Heathcote, Aaron and others who participated in Papercamp back in January. In many ways this may be the first commercial post-papercamp product? Or is it an unproduct?

Anyway – very pleased to see this in the world. The team in Milan is working hard to put it together live every night from things twittered and flickered and sketched and kvetched in the galleries and bars. It seems they turned it around in good time, with the distributors going out with their customer-designed delivery bags and bikes at 8am this morning…

Can’t wait to see how the palimpsest builds through the week, and also how ideas like this might build through events throughout the year.

Remember, if you have quests or questions for the roving reporters of The Incidental, then you can get hold of them @theincidental on Twitter.

UPDATE

I asked the roving reporters via @theincidental to track down Random International with Chris O’Shea‘s installation at Milan ’09, and they did!

Action-at-a-distance = Magic!

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Umeå

I got invited to northern Sweden by the lovely folks at Umeå Institute of Design and Tellart.

Umeå Design School

It was a fantastic couple of days, where ideas were swapped, things were made and fine fun was had late into the sub-artic evening…

Umeå

It was their first (and hopefully not the last) Spring Summit at the Umeå Institute of Design, entitled “Sensing and sensuality”.

Umeå Institute of Design Spring Summit, "Sensing and Sensuality"

I tried to come up with something on that theme, mainly of half-formed thoughts that I hope I can explore some more here and elsewhere in the coming months.

It’s called “Data as seductive material” and the presentation with notes is on slideshare, although I’ve been told that there will be video available of the entire day here with great talks from friends old and new.

Thank you so much to the faculty and students of Umeå Institute of Design, and mighty Matt Cottam of Tellart for the invitation to a wonderful event.

Very rough notes from Stuart’s talk:

Long Now London
stuart candy
16.3.09

designs on a longer now

q: what drew you into the long now?

(the hope is) this group is a group of early adopters of an idea which can get into the broader culture eventually?

stewart brand: why haven’t we seen a picture of the whole earth yet?

made a hundreds of badges the next day with this on
echoing bucky: people don’t think about their impact on the whole earth as a system as they cannot see it

Apollo program picture ‘blue marble’ had the mainstream impact needed for this

Long now is trying to do the equivalent for time as the blue marble did for space

a cultural change in attitudes towards time

(shows protos of the LN clock and mt washington in nevada where the clock is to be built)

but – it’s not really the clock that is the central object – it’s designing culture around the clock… the clock is a catalyst for that.

manifesting futures in the present: ‘found futures’

why: because physiologically, neurally, culturally we all programmed for continuity while living through discontinuity (accelerating change)

building bridges across this] experiential gulf

project: hawaii2050: workshopping with 600 ppl, 4 different versions (scenario) of 2050
continued growth / discipline / collapse / transformation

project: art objects from a 2108 Hawaii: found objects from a future scenario

problem: not everyone you want to reach is attending these things (self-selecting)

solution?: guerilla futures : ad-hoc incursions into futures.
manifest futures in the present whether people have requested it or not

project: postcards from different scenarios printed and sent to the most powerful people in the state of Hawaii at their home addresses one a day without explanation

project: simulated urban gentrification takeover : used vacant lots and filled them with fake posters of multinational brands moving into a chinatown. ‘save chinatown’ group went out and lobbied passers by. unintended consequence: ppl annoyed that they had been ‘hoaxed’

projects: scenario where relationship between Hawaii and china supplants that of the usa, and a bird flu scenario of 2016, played out in wall plaques and street signs (backwards)

Future Shock-therapy

bruce sterling asked: what would happen if you changed ‘guerilla’ interventions into a regular standing army?

got candy thinking: a 2nd strategy: ‘ambient foresight’

foresight as an emergent capacity – instead of being deliberately disorienting and interventionist – it’s more subtle and day-to-day. implicit, incidental

‘what kind of practice do we need to be thinking about the future day to day, for it to be woven into culture’

cf. paul hawken: ‘sustainability should be as easy as falling off a log’

ambient foresight examples: lung pictures on cigarette packets? nutrition facts (!)

carbon/energy facts: jamais’s cheeseburger footprint

aim: ‘social capacity for foresight’ (richard slaughter)

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