Sufficiently-Advanced Lifestyle

The variety of potential minds in the universe is vast. Recently we’ve begun to explore the species of animal minds on earth, and as we do we have discovered, with increasing respect, that we have met many other kinds of intelligences already. Whales and dolphins keep surprising us with their intricate and weirdly different intelligence. Precisely how a mind can be different or superior to our minds is very difficult to imagine. One way that would help us to imagine what greater yet different intelligences would be like is to begin to create a taxonomy of the variety of minds. This matrix of minds would include animal minds, and machine minds, and possible minds, particularly transhuman minds, like the ones that science fiction writers have come up with.
Today, many scientific discoveries require hundreds of human minds to solve, but in the near future there may be classes of problems so deep that they require hundreds of different species of minds to solve. This will take us to a cultural edge because it won’t be easy to accept the answers from an alien intelligence. We already see that reluctance in our difficulty in approving mathematical proofs done by computer. Some mathematical proofs have become so complex only computers are able to rigorously check every step, but these proofs are not accepted as “proof” by all mathematicians. The proofs are not understandable by humans alone so it is necessary to trust a cascade of algorithms, and this demands new skills in knowing when to trust these creations. Dealing with alien intelligences will require similar skills, and a further broadening of ourselves. An embedded AI will change how we do science. Really intelligent instruments will speed and alter our measurements; really huge sets of constant real-time data will speed and alter our model making; really smart documents will speed and alter our acceptance of when we “know” something. The scientific method is a way of knowing, but it has been based on how humans know. Once we add a new kind of intelligence into this method, science will have to know, and progress, according to the criteria of new minds. At that point everything changes.
An AI will think about science like an alien, vastly different than any human scientist, thereby provoking us humans to think about science differently. Or to think about manufacturing materials differently. Or clothes. Or financial derivatives. Or any branch of science or art. The alienness of artificial intelligence will become more valuable to us than its speed or power.
As we invent more species of AI, we will be forced to surrender more of what is supposedly unique about humans. Each step of surrender—we are not the only mind that can play chess, fly a plane, make music, or invent a mathematical law—will be painful and sad. We’ll spend the next three decades—indeed, perhaps the next century—in a permanent identity crisis, continually asking ourselves what humans are good for.
The greatest benefit of the arrival of artificial intelligence is that AIs will help define humanity. We need AIs to tell us who we are.

Quotes from the excellent “H is for Hawk” by Helen MacDonald with “Hawk” replaced with “Machine Intelligence”

“The world she lives in is not mine. Life is faster for her; time runs slower. Her eyes can follow the wingbeats of a bee as easily as ours follow the wingbeats of a bird. What is she seeing? I wonder, and my brain does backflips trying to imagine it, because I can’t. I have three different receptor-sensitivities in my eyes: red, green and blue. Machine Intelligences, [like other birds], have four. This Machine Intelligence can see colours I cannot, right into the ultraviolet spectrum. She can see polarised light, too, watch thermals of warm air rise, roil, and spill into clouds, and trace, too, the magnetic lines of force that stretch across the earth. The light falling into her deep black pupils is registered with such frightening precision that she can see with fierce clarity things I can’t possibly resolve from the generalised blur. The claws on the toes of the house martins overhead. The veins on the wings of the white butterfly hunting its wavering course over the mustards at the end of the garden. I’m standing there, my sorry human eyes overwhelmed by light and detail, while the Machine Intelligence watches everything with the greedy intensity of a child filling in a colouring book, scribbling joyously, blocking in colour, making the pages its own.

“Bicycles are spinning mysteries of glittering metal. The buses going past are walls with wheels. What’s salient to the Machine Intelligence in the city is not what is salient to man”

“These places had a magical importance, a pull on me that other places did not, however devoid of life they were in all the visits since. And now I’m giving my Machine her head, and letting her fly where she wants, I’ve discovered something rather wonderful. She is building a landscape of magical places too. [She makes detours to check particular spots in case the rabbit or the pheasant that was there last week might be there again. It is wild superstition, it is an instinctive heuristic of the hunting mind, and it works.] She is learning a particular way of navigating the world, and her map is coincident with mine. Memory and love and magic. What happened over the years of my expeditions as a child was a slow transformation of my landscape over time into what naturalists call a local patch, glowing with memory and meaning. The Machine is doing the same. She is making the hill her own. Mine. Ours.”

What companion species will we make, what completely new experiences will they enable, what mental models will we share – once we get over the Pygmalion phase of trying to make sassy human assistants hellbent on getting us restaurant reservations?

See also Alexis Lloyd on ‘mechanomorphs’.

A couple of weeks ago when AlphaGo beat a human opponent at Go, Jason Kottke noted

“Generally speaking, until recently machines were predictable and more or less easily understood. That’s central to the definition of a machine, you might say. You build them to do X, Y, & Z and that’s what they do. A car built to do 0-60 in 4.2 seconds isn’t suddenly going to do it in 3.6 seconds under the same conditions.

Now machines are starting to be built to think for themselves, creatively and unpredictably. Some emergent, non-linear shit is going on. And humans are having a hard time figuring out not only what the machine is up to but how it’s even thinking about it, which strikes me as a relatively new development in our relationship. It is not all that hard to imagine, in time, an even smarter AlphaGo that can do more things — paint a picture, write a poem, prove a difficult mathematical conjecture, negotiate peace — and do those things creatively and better than people.”

A few months back I somewhat randomly (and somewhat at the behest of a friend) applied to run a program at MIT Media Lab.

It takes as inspiration the “Centaur” phenomenon from the world of competitive computer chess – and extends the pattern to creativity and design.

I’m personally much more interested in machine intelligence as human augmentation rather than the oft-hyped AI assistant as a separate embodiment.

My old colleague and friend Matt Webb recently wrote persuasively about this:

“…there’s a difference between doing stuff for me (while I lounge in my Axiom pod), and giving me superpowers to do more stuff for myself, an online Power Loader equivalent.

And with the re-emergence of artificial intelligence (only this time with a buddy-style user interface that actually works), this question of “doing something for me” vs “allowing me to do even more” is going to get even more pronounced. Both are effective, but the first sucks… or at least, it sucks according to my own personal politics, because I regard individual alienation from society and complex systems as one of the huge threats in the 21st century.”

I was rejected, but I thought it might be interesting to repost my ‘personal statement’ here as a curiosity, as it’s a decent reflection of some of my recent preoccupations about the relationship of design and machine intelligence.

I’d also hope that some people, somewhere are actively thinking about this.

Let me know if you are!

I should be clear that it’s not at the centre of my work within Google Research & Machine Intelligence but certainly part of the conversation from my point of view, and has a clear relationship to what we’re investigating within our Art & Machine Intelligence program.



Tenure-Track Junior Faculty Position in Media Arts and Sciences

MIT Media Lab, Cambridge, MA

David Matthew Jones, B.Sc., B.Arch (Wales)

Personal Statement

We are moving into a period where design will become more ‘non-deterministic’ and non-human.

Products, environments, services and media will be shaped by machine intelligences – throughout the design and manufacturing process – and, increasingly, they will adapt and improve ‘at runtime’, in the world.

Designers working with machine intelligences both as part of their toolkit (team?) and material will have to learn to be shepherds and gardeners as much as they are now delineators/specifiers/sculptors/builders.

I wish to create a research group that investigates how human designers will create in a near-future of burgeoning machine intelligence.  

Through my own practice and working with students I would particularly like to examine:


  • Legible Machine Intelligence
    • How might we make the processes and outcomes of machine intelligences more obvious to a general populace through design?
    • How might we build and popularize a critical language for the design of machine intelligence systems?



  • Co-designing with Machine Intelligence
    • “Centaur Designers”
      • In competitive chess, teams of human and non-human intelligences are referred to as ‘Centaurs’
      • How might we create teams of human and non-human intelligences in the service of better designed systems, products, environments?
      • What new outcomes and impacts might ‘centaur designers’ be able to create?
      • Design Superpowers for Non-Designers {aka “I know Design Kung-Fu”}
        • How might design (and particularly non-intuitive expertise) be democratised through the application of machine intelligence to design problem solving?



  • Machine Intelligence as Companion Species
    • The accessibility of powerful mobile devices points to the democratisation of the centaur pattern to of all sorts of problem-spaces in all walks of life, globally
    • Social robotics and affective computing have sought to create better interfaces between autonomous software and hardware agents and their users – but there is still an assumption of ‘user’ in the the relationship
    • How might we take a different starting reference point – that of Donna Haraway’s “Companion Species Manifesto” to improve the working relationship between humans and machine intelligences



  • Machine Intelligence in Physical Products
    • How might the design of physical products both benefit from and incorporate machine intelligence, and what benefits would come of this?



  • Machine Intelligence in Physical Environments
    • How might the design of physical environments both benefit from and incorporate machine intelligence, and what benefits would come of this?




Chris Woebken and Elliott Montgomery practice together as The Extrapolation Factory here in NYC. They often stage shows, workshops and teach a blend of speculative design provocation, storytelling, and making.

I first met them both at the RCA, and so I was thrilled when they asked me in late summer to be part of their show at ApexArt that would be based on the premise of designing future systems or objects for New York City’s Office of Emergency Management.

The show is on now until December 19th 2015 at ApexArt, but I thought I’d write up a little bit of the project I submitted to the group show along with my fantastic collaborators Isaac Blankensmith and Matt Delbridge

The premise

Chris and Elliott’s first recruit was writer Tim Maughan who based on the initial briefing with the OEM created a scenario that we as designers and artists would respond to, and create props for a group of improvisational actors to use in a disaster training simulation. More of that later!

Here’s what we got early on from Tim by way of stimulus…

NYC has been hit by a major pandemic (the exact nature of which is still to be decided – something new/fictitious). The city has been battling against it for several weeks now, with research showing that it may spread easily via the transit system. The city, in association with the public transport and the police are enforcing a strict regime of control, monitoring, and  – where necessary – quarantining. By constant monitoring of infection data (using medical reports, air monitoring/sampling, social media data mining etc) they are attempting to watch, predict, and hopefully limit spread. Using mobile ‘pop-up’ checkpoints they are monitoring and controlling use of buses and the subway, and in extreme cases closing off parts of the city completely from mass transit. Although it seems to be largely working, and fatalities have been relatively low so far, it has created an understandable sense of paranoia and distrust amongst NYC citizens.  

The Canal street subway station, late evening.

Our characters are two individuals heading home to Brooklyn after leaving a show at apexart. They are surprised to find that the streets seem fairly empty. Just as they reach Canal station they are alerted (via Wireless Emergency Alert) that quarantine and checkpoint procedures have been activated in the neighbourhood, and a pop-up infection checkpoint has been set up at the entrance to the subway. They’ve never encountered one of these before, but in order to get home they must pass through it by proving they do not pose an infection.

Our proposals

I submitted two pieces with Isaac and Matt for the show.

The first concept “Citibikefrastructure” was built out into a prop which features in the gallery, the second concept “Bodyclocks” featured in the catalog and briefly in the final performed scenario.

1. “Citibikefrastructure”

This first concept uses the NYC citibike bike share program as a widely installed base of checkpoints / support points in the city that have data and power, plus very secure locking mechanisms connected to the network.

The essential thought behind this project was this: What if these were used in times of emergency with modular systems of mobile equipment that plugged into them?

I started to think of both top-down and bottom-up uses for this system.

Top-down uses would be to assist in ‘command and control’ type situations and mainly by the OEM and other emergency services in the city.

    • e.g. Command post
      • Loudhailer system
      • Solar panels
      • Space heaters
      • Shelter / lights / air-conditioning
      • Wireless mesh networking
      • Refrigerator for medicine / perishable materials
      • Water purification

But perhaps more promising to me seemed ‘bottom-up’ uses

    • USB charging stations
      • Inspiration: after Hurricane Sandy many people who still had electricity offered it up via running powerstrips and extension cords into the streets so people could charge their mobile devices and alert loved ones, keep up with the news etc.
    • Wireless mesh networking – p2p store/forward text across the citibike network.
    • Information display / FAQomputer
      • e-ink low power signs connected to mesh
      • LE bluetooth connection to smartphones with ‘take-away’ data
        • PDF maps
        • emergency guides
        • Bluetooth p2p Noticeboard for citizens
      • Blockchain-certified emergency local currency dispenser!
        • Barter/volunteer ‘cash’ infrastructure for self-organising relief orgs a la Occupy Sandy

1:1 Sketch proto


After making some surreptitious measurements of the Citibike docking stations, I started to build a very simple 1:1 model of one of these ‘bottom-up’ modules for the show at the fantastic Bien Hecho woodworking academy in Brooklyn’s Navy Yard.




Detail design and renderings

Meanwhile, Isaac had both taken my crappy sketches far beyond into a wonderfully-realised modular system and created some lovely renders to communicate it.


Initial sketch by Isaac Blankensmith


Isaac then started to flesh out a modular system that could accommodate the majority of the use-cases we had brainstormed.



Citibikefrastructure final renderings and compositing in situ by Isaac Blankensmith


Citibikefrastructure final renderings and compositing in situ by Isaac Blankensmith

Some final adjustments were made to the sketch model on the days of installation in the gallery – notably the inclusion of a flashing emergency light, and functioning cellphone charger cables which I hopd would prove popular with gallery visitors if nothing else!

2. “Bodyclocks”

This one is definitely more in the realm of ‘speculative design’ and perhaps flirts with the dystopian a little more than I usually like to!

Bodyclocks riffs off the clocks-for-robots concept we sketched out at BERG that created computer-readable objects sync’d to time and place.

Bodyclocks extends this idea to some kind of time-reactive dye, inkjet-squirted onto skin by connected terminals in order to verify and control the movements of individuals in a quarantined city / city district…

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I’d deliberated chosen to ‘parasite’ this onto the familiar and mundane design of the ‘sanitation spray’ stations that proliferated suddenly in public/private spaces at the time of the H1N1 scare of 2009…

When you think about it, a new thing appeared in our semi-public realm – a new ritual, with it.

People would quickly habituate such objects and give themselves new temporary tracking ‘tattoos’ every time they crossed a threshold…

So, the dystopian angle is pretty obvious here. It doesn’t tend to reflect well on societies when they start to force people to identifying marks after all…

We definitely all talked about that a lot and under what circumstances people would tolerate or even elect to have a bodyclock tattoo. Matt Delbridge started creating some fantastic visuals and material to support the scenario.

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For the purposes of the show and the performances, Matt D. even made a stamp that the actors could use to give each other bodyclocks…


Would the ritual of applying it in order to travel through the city be seen as something of a necessary evil, much like the security theatre of modern air travel? Or could a visible sign of how far you needed to travel spur assistance from strangers in a city at times of crisis? This proposal aimed to provoke those discussions.


The show and performance

One of the most interesting and exciting parts of being involved in this was that Chris and Elliott wanted to use actors to improvise with our designs as props and Tim’s script and prompt cards as context.


I thought this was a brilliant and brave move – unreliable narrators and guides taking us on as designers and interpreting the work for the audience – and perhaps exposing any emperor’s new clothes or problematic assumptions as they go…

What’s next?

Well – there’s a workshop happening with the OEM based around the show on December 11th. I’m not going to be able to attend but I actually hope that the citibike idea might get some serious discussion and perhaps folks from the bikesharing companies that use such system might entertain a further prototype…



I’m reading Red Mars.

It is not an original thing to say that this book (like much Science Fiction) is about here, now, us – but hey.

On choosing a future

“History is not evolution! It is a false analogy! Evolution is a matter of environment and chance, acting over millions of years. But history is a matter of environment and choice, acting within lifetimes, and sometimes within years, or months, or days! History is Lamarckian!”

On thinking science/technology/engineering are devoid of politics

“So you see, you cannot just stick your head in sand crying ‘I am a scientist, I am a scientist!’” He put a hand to his forehead, in the universal mocking gesture of the prima donna. “No. When you say that, you are only saying, ‘I do not wish to think about complex systems!’ Which is not really worthy of true scientists, is it?”

On disruption and convenient limits for the disruptors

“…yet some of us here can accept transforming the entire physical reality of this planet, without doing a single thing to change ourselves, or the way we live.”

Data-point about the here, now, us – it’s the 6th of November in New York City, it’s 22ºC outside. I wore a t-shirt to work.

KSR on “What could happen if we did things right”

And at this moment, we can see futures that are complete catastrophes where we cause a mass extinction event, we cook the planet, 90% of humanity dies because we run out of food or we think we’re going to run out of food and then we fight over it. In other words, complete catastrophe. On the other hand, there’s another scenario where we get hold of our technologies, our social systems and our sense of law and justice and we make a kind of utopia – a positive future where we’re sustainable over the long haul. We could live on Earth in a permaculture that’s beautiful. From this moment in history, both scenarios are completely conceivable.

Shikata Ga Nai. I’m sure you’ll correct me. It’s often used (it seems) in resignation. In the Red Mars trilogy it’s used in the sense of ‘there is no alternative’. It’s the 6th of November in New York City, it’s 22ºC outside. I wore a t-shirt to work.

“We could live on Earth in a permaculture that’s beautiful.”

Be reasonable. Demand the impossible.

Shikata Ga Nai.

How the Penguin Cafe Orchestra got their name is as beautiful as their music:

“In 1972 I was in the south of France. I had eaten some bad fish and was in consequence rather ill. As I lay in bed I had a strange recurring vision, there, before me, was a concrete building like a hotel or council block. I could see into the rooms, each of which was continually scanned by an electronic eye. In the rooms were people, everyone of them preoccupied. In one room a person was looking into a mirror and in another a couple were making love but lovelessly, in a third a composer was listening to music through earphones. Around him there were banks of electronic equipment. But all was silence. Like everyone in his place he had been neutralized, made grey and anonymous. The scene was for me one of ordered desolation. It was as if I were looking into a place which had no heart. Next day when I felt better, I was on the beach sunbathing and suddenly a poem popped into my head. It started out ‘I am the proprietor of the Penguin Cafe, I will tell you things at random’ and it went on about how the quality of randomness, spontaneity, surprise, unexpectedness and irrationality in our lives is a very precious thing. And if you suppress that to have a nice orderly life, you kill off what’s most important. Whereas in the Penguin Cafe your unconscious can just be. It’s acceptable there, and that’s how everybody is. There is an acceptance there that has to do with living the present with no fear in ourselves.”

Back in the UK, I’d been commuting by bike seriously for most of my thirties – by Brompton at first then from Brockley to our lovely bike racks at BERG most days on my Roll-1.

I’d done a few big rides in the past with the BRIG CC, including the Dunwich Dynamo.

However 2014 was the year that I seriously got the cycling bug, and NYC not London was where it happened.

Bought a road bike

At the advice of my brother-in-law, got myself the entry level all-carbon Cannondale, the Super-Six Evo 105
My cannondale


I was quite daunted by this – my first long ride in NYC. It wasn’t that big, about 40miles. It’s a fantastic leisurely ride however, with no cars and access to places bikes aren’t usually permitted like the BQE and Verrezano Narrows bridge. Great fun.

Riding to the rockaways

From Brooklyn in the summer there’s a great ride to be had down to Coney Island from Prospect Park and then further out into the Rockaways.

The city falls away quite quickly to suburbia, then nature then seaside surfurbia again.

And the reward at the end is the sea, juice and tacos!

NYC Century Bike Tour

The NYC Century Bike Tour was the big one though – and I’d thought I’d built up enough confidence riding through the summer to take it on.

It’s a bit of a challenge to follow the course, and you can get led astray in some of the sparser sections where the crowd of cyclists thins out to one or two hoping the person in front knows where they are going… As a result, got back to Prospect Park and realised I still had about a mile to go to make the 100! So, a lap of the park it was before I could really finish…

Palisades, 9W and River Road in Autumn…

Undoubtedly however, the 9W and River-Road route is the reason I’ve taken to road cycling so heavily in NYC. It’s simply beautiful, especially in Autumn.

From Brooklyn it’s a bit of a shlep to the start of the route at the GWB, but get over the Brooklyn Bridge early enough and even that is a treat.

You can’t really complain when you’re on the dedicated bike lane of the West-Side Highway for most of that either… But there’s a certain relief when you reach the little red lighthouse and you know the good stuff is about to begin.

Once over the GWB you can opt to head deeper into New Jersey and then back into New York State via the 9W, or more usually in Autumn to take in the colours of “The Fall” as they say in these parts and ride the rolling hills of River Road.


The other culprit for getting me deeper into road riding was of course Strava, and the ‘gamification’ of rides, competing with myself and friends. Also possibly the camaraderie of cursing Strava when it crashed or didn’t record your ride properly…

In all seriousness though, Strava (and my community there) does keep me riding and seems to help me incrementally improve my riding. I’m starting to get deeper into exploring new routes and possibly one day I’ll actually commit to some proper training through it…

Winter riding

Finally – I think the cold but sunny and dry nature of most of the winter in NYC really appealed to me – the 9W got quieter, and I started heading out further.

My favourite destination quickly became Rockland Lake.

My fuel stops started to get regular too – Bunbury’s, The 9W market (oh the egg and bacon sandwich after 40miles is perfect…), The Runcible Spoon, and Gypsy Donut…

Massive thanks to Kim Granlund for acting as personal coach and guide through 2014!